Fiche du document
2000
- doi: 10.7202/1014454ar
Ce document est lié à :
Canadian University Music Review ; vol. 20 no. 2 (2000)
All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 2000
Sujets proches
Results of analysis Analysis results Anecdotes, facetiae, satire, etc Work, Method of Industry (Psychology) Method of work Women as composers Composers, Women Generation Procreation Pangenesis Amphimixis Friends Friends (Quakers) Documents Documents, Legal Documents Public documents Official publications Government documents Documents Documents Indentures Songwriters Synchronicity Simultaneousness Synchronism Documents Charters--Law and legislation Biographies Memoirs Life histories History--Biography Autobiography--History and criticism Memoirs Autobiographies--History and criticism Autobiography--Technique Egodocuments Documents Manuscript repositories Manuscript depositories Manuscripts--Repositories Manuscripts--Depositories Facetiae Ana Humor YieldCiter ce document
James Deaville et al., « Violet Archer, Jean Coulthard, and Barbara Pentland Remembered », Canadian University Music Review / Revue de musique des universités canadiennes, ID : 10.7202/1014454ar
Métriques
Partage / Export
Résumé
In a bizarre coincidence, three important Canadian women composers from the same generation recently died within five weeks of each other: Barbara Pentland on 6 February 2000, Violet Archer on 22 February 2000, and Jean Coulthard on 9 March 2000. As a tribute to their lives and work, this colloquy gathers remembrances of them by friends and colleagues, ranging from brief anecdotes to extended memoirs. It is thus a collection of primary documents, which yield many new insights into the lives of our composers, ranging from personal habits to the way they taught composition.