ONO Epistemologies—Resounding the “Bleeding Haints” : A Noisy Conversation between P. Michael Grego, travis, and Shannon Rose Riley of ONO

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2020

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Erudit

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Consortium Érudit

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©, 2021Shannon RoseRiley, travis, P. MichaelGrego



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Shannon Rose Riley et al., « ONO Epistemologies—Resounding the “Bleeding Haints” : A Noisy Conversation between P. Michael Grego, travis, and Shannon Rose Riley of ONO », Performance Matters, ID : 10.7202/1075799ar


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To resound means not only to make a loud, prolonged sound but also to send the soundings back—whether to their source(s) or other listeners, as if in a kind of dialogical loop. In this article, P. Michael, travis, and Shannon Rose Riley engage in a resounding conversation on the performance practices of the sonic subaltern as exemplified in their work as ONO. They discuss “bleeding haints,” “ghosted tracks,” and how their work resounds/re-members erased histories. They also begin to flesh out what travis calls “the colors of Noise” regarding how the Black body is always already a kind of “Noise upon the USAmerican landscape.” These are ONO epistemologies.

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