Academe vs. Hollywood: Sweet Liberty, or the Dilemmas of Historical Representation on Film

Fiche du document

Date

2021

Discipline
Type de document
Périmètre
Langue
Identifiant
Relations

Ce document est lié à :
Lumen : Selected Proceedings from the Canadian Society for Eighteenth-Century Studies ; vol. 40 (2021)

Collection

Erudit

Organisation

Consortium Érudit

Licence

All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle, 2021



Citer ce document

Guy Spielmann, « Academe vs. Hollywood: Sweet Liberty, or the Dilemmas of Historical Representation on Film », Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies / Lumen: Travaux choisis de la Société canadienne d'étude du dix-huitième siècle, ID : 10.7202/1083172ar


Métriques


Partage / Export

Résumé 0

In Sweet Liberty, writer and director Alan Alda dramatizes the process of turning a scholarly study about the American Revolutionary War into a Hollywood film; he does so in ways that bring out the ethical complexities of adaptation, and eventually takes them to a meta-filmic level rarely seen in non-experimental cinema. While Sweet Liberty initially comes off as a light comedy with a predictable plot and ending, on closer inspection it compels us to reflect on the relationship between historical research and the popular entertainment industry. Although Alda appears to chastise the makers of period films who seek to capitalize on “history” without paying heed to historical facts, his professorial hero is not particularly critically minded either. Intentionally or not, Alda demonstrates that evaluating a mainstream history film cannot be reduced to a dichotomy between truth and fiction, and that research-based knowledge should also be viewed with a healthy skepticism.

document thumbnail

Par les mêmes auteurs

Sur les mêmes sujets

Sur les mêmes disciplines

Exporter en