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1 janvier 2021
- handle: 10670/1.0jx9fa
Ce document est lié à :
10.22201/iie.18703062e.2021.119.2762
info:eu-repo/semantics/openAccess
Mots-clés
Mexican School Taller de Gráfica Popular Frente Nacional de Artes Plásticas Cultural Cold War Sao Paulo Biennials Bienales Hispanoamericanas Pan American Union José Gómez Sicre Jack Levine Mauricio LasanskySujets proches
Frontier troubles Exhibit catalogs Exhibitions--Catalogs Exhibition catalogs Endeavor Effort Parliamentary government Representation Self-government Political representation Political thought Government Political theory Civil government Commonwealth, The Science, Political Administration Politics Organisation Annals Technology--Exhibitions Industrial arts--Exhibitions Exhibits Industrial exhibitions International exhibitions Expositions World's fairs Sketch, Literary Literary sketch Battlegrounds HegemonismCiter ce document
Fabiola Martínez Rodríguez, « Mexico's Interamerican Biennials and the Hemispheric Cold War », Anales del Instituto de Investigaciones Estéticas, ID : 10670/1.0jx9fa
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Résumé
In 1957 the Mexican government decided to embark on the organization of high profile Interamerican biennials. Although successful in convening a broad representation of countries in the continent, only two biennials successfully opened in 1958 and 1960. By situating these exhibitions, together with the Sao Paulo Biennials and the Bienales Hispanoamericanas in the complex geopolitics created by the Iron Curtain, this essay analyses the role that Mexico's Biennials played in the hemisphere's Cultural Cold War. In an effort to challenge US economic and cultural hegemony in the continent, the Interamerican Biennials became one of the last battlefields for Mexico's famed revolutionary artists, and ultimately an important, if largely neglected, chapter in the history of Latin America's Cold War.