24 septembre 2014
Jacqueline Nivard, « Photographic Manipulation in Asia », Cultures chinoises, ID : 10670/1.3uvkmp
Special issue of the TAP Review, guest edited by Claire Roberts (University of Adelaide, Australia) and Yi Gu (University of Toronto, Canada) Manipulation – of light, time and process – is central to the production of photographs. It is because of this inherent flexibility, perhaps, that practitioners have long played with the apparent objectivity of the medium. In the pre-digital era, techniques that have been used to improve upon or challenge the rhetoric of truth associated with photograp...