30 novembre 2020
christinejeanneret, « Performance, Performativity, Privacy », Centre for Privacy Studies, ID : 10670/1.63nbr0
In 1975 in the art gallery Krinzinger in Innsbruck, the Serbian artist Marina Abramović subjected her body to various bodily transgressions, ingesting a liter of honey, a liter of wine, and inflicting razor wounds to her lower abdomen. She then flogged herself and lied down on a cross made of ice, freezing her back, while her body was burning from the above. The audience could not take this exploration of physical and mental boundaries and ripped her off the cross. This performance, Lips of T...