2 février 2018
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Norman Simms, « War and Peace in John Gay’s Polly: Literal, Figurative and Cynical », Presses Sorbonne Nouvelle, ID : 10670/1.b577kd
1. When the rebellious pirates Capstern and Laguerre under the nominal command of Macheath declare war against the whole world, they change, at least for a few minutes, the tone and texture of John Gay’s comic opera Polly (1729). Like its nominal first part, The Beggar’s Opera, this continuation set in the West Indies where several of the main characters from the earlier play have been transported or arrived as indentured labour, seems to work in a satirical mode. The strokes of satire are si...