3 novembre 2020
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2742-328X
Jeremy Jeanguenin, « Commodification of music », Black Troubadours, ID : 10670/1.m3rr5m
It has been a very discussed issue, especially since the vinyl era revival, starting in the mid 2000s. This video proposes a synthetic outline of records (be it material or digital) as a medium to replicate music copies. How come so many people believe in vinyl acetate superiority ? Is fetishism built only against "soulless digital" ? As Walter Benjamin would say, does illimited reproductibility makes the music lose its soul ? (Walter Benjamin. (2008). The work of art in the age of mechanic...