“Those unheard are sweeter”

Abstract 0

The historiography of musical hallucinations has hitherto focused on the origins of modern medical investigations of the subject. This has led to a view of the nineteenth century as a break in continuity in which ambivalent mystical conceptions were replaced by scientific perspectives of them as a symptom. This paper looks at the complex attitudes towards the phenomenon in the period, showing how religious, semi-scientific, romantic and medical debates allowed scope for continuing ambiguous and positive views.

From the same authors

On the same subjects

Within the same disciplines