Michel Olivier. XIV. - François-Marie Poncet et le retour à l'antique. In: , . Vivre et peindre à Rome au XVIIIe siècle [recueil d’articles] Rome : École Française de Rome, 1996. pp. 209-265. (Publications de l'École française de Rome, 217)

Résonances entre musique contemporaine et manifeste visuel : le son peut-il être matière à l'expression plastique ?

Thesis

Gwénaëlle Garcia (Jun 28, 2012)

Thesis

Seventeen primary school pupils were involved in their first sound-experience, coming from a contemporary field unknown to them: digital art. The main axe of the project was oriented towards sensitisation to sound-art. This was a bi-subject reflection; since it combined visual art and musical educat...

The family structure of the Craons from the 11th century to 1415 : the concept of lineage into question

Thesis

Fabrice Lachaud (Apr 27, 2012)

Thesis

On October 25th 1415, the last direct descendents of the Craon lineage, founded in the 11th Century by Robert of Burgundy, died on the battlefield. A great part of their renown and fortune had been acquired through their feats of arms. Hence the chronologically-based approach of our work: from the g...

Novices and novitiates in Lorraine from the 16th to the 18th century

Thesis

Jean-Marc Lejuste (Oct 7, 2019)

Thesis

During the modern era, the three Lorraine dioceses Metz, Toul and Verdun saw a very strong establishment of religious orders. This monastic force of Lorraine, inherited from the Middle Ages and the protection of the ducal family, concerns all the major European religious families and has enabled the...