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2025
- 20.500.13089/13ro3
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https://hdl.handle.net/20.500.13089/13rop
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https://doi.org/10.4000/13rop
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info:eu-repo/semantics/altIdentifier/isbn/978-2-7351-3057-3
info:eu-repo/semantics/openAccess , https://www.openedition.org/12554
Sujets proches
Reading--Study and teaching Interest and usury Understanding Art, Modern--Europe European art Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) ArtsCiter ce document
Mathilde Arnoux et al., « Introduction: Unlearning Westkunst, 1981 », Éditions de la Maison des sciences de l’homme
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Résumé
Revisiting Westkunst A detour sparked our interest in the Westkunst exhibition (Cologne, 1981): we discovered Tomáš Štrauss’s critique of the exhibition in his book Beyond the Great Divide. There, Štrauss, a Czechoslovak-born critic who settled in West Germany, highlighted the inadequate definition of ‘Western art’ proposed by the exhibition organisers and how this affected the understanding of Eastern European art. Reading Štrauss’s text gave us the strange impression of dealing with a historical...
