Fabricating the Universal: The Westkunst Documentaries

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Date

2025

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  • 20.500.13089/13roa
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Ce document est lié à :
https://hdl.handle.net/20.500.13089/13rop

Ce document est lié à :
https://doi.org/10.4000/13rop

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info:eu-repo/semantics/altIdentifier/isbn/978-2-7351-3058-0

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info:eu-repo/semantics/altIdentifier/isbn/978-2-7351-3057-3

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info:eu-repo/semantics/openAccess , https://www.openedition.org/12554

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I have chosen to preface this text with Stuart Hall’s analysis of the many and complex ideas covered by the term ‘West’, which include a type of society and a level of development. These ideas have something in common: their exclusion of what Hall calls ‘the Rest’. In Hall’s footsteps, many authors have interrogated the persistence of these representations; we might cite the collective project Former West: Art and the Contemporary after 1989. At the time of the exhibition they curated, Westkunst...

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