2018
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Aurore Clavier, « “The lingua franca et jocundissima”: The Comedian as a French Speaker », Éditions Rue d’Ulm
Birds of a Feather? In the first comment she wrote as The Dial’s new acting editor in July 1925, Marianne Moore chose to reflect upon features of “aesthetic consanguinity” and the “genetic sharing of tradition” between poets. Although the text mainly reacted to Amy Lowell’s recent death by paying tribute to the Keatsian accents of her last collection, ADome of Many-Colored Glass, it started as a catalog of the remote—past or foreign—affinities recognizable in several of her contemporaries. If H.D.’s...