Echoes of (the) Jazz (Age): Music, Race and Desire in F. S. Fitzgerald’s Tender Is the Night and Claude McKay’s Banjo
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2023
- 20.500.13089/2mm5
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https://hdl.handle.net/20.500.13089/2len
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https://doi.org/10.4000/books.editionsulm
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info:eu-repo/semantics/altIdentifier/isbn/978-2-7288-0839-7
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info:eu-repo/semantics/altIdentifier/isbn/978-2-7288-0837-3
info:eu-repo/semantics/restrictedAccess , https://www.openedition.org/12554
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Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Benoît Tadié, « Echoes of (the) Jazz (Age): Music, Race and Desire in F. S. Fitzgerald’s Tender Is the Night and Claude McKay’s Banjo », Éditions Rue d’Ulm
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I would like to offer an improvisation on music in Tender Is the Night, in connection with Claude McKay’s Banjo (1929), which I will use as a counterpoint to Fitzgerald’s book. I have chosen to look at the two novels together because they are both largely set on the French Mediterranean during the same historical period, although McKay’s Marseilles is a far cry, from a social point of view, from the luxury hotel at Cap d’Antibes that inspired the opening and closing sequences of Fitzgerald’s novel....
