8. Shakespeare: The Return of Fin’amor

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Date

2017

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Périmètre
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  • 20.500.13089/48da
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Ce document est lié à :
https://hdl.handle.net/20.500.13089/45zg

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info:eu-repo/semantics/altIdentifier/isbn/979-10-365-0077-0

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info:eu-repo/semantics/altIdentifier/isbn/978-1-78374-348-3

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OpenEdition Books

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info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by/4.0/



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Michael Bryson et al., « 8. Shakespeare: The Return of Fin’amor », Open Book Publishers


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I. The Value of the Individual in the SonnetsThe true recovery of the troubadour tradition comes with Shakespeare, the poet and playwright who “towers like a mountain peak above the surrounding foothills, but is one substance and structure with them”. Most truly “of the English strain”, Shakespeare’s sonnets are a reversing, even a mocking of the Petrarchan mode and the Neoplatonic sublimation of passion into worship that sometimes marks the poetry of Sidney. Rather than treating the individual...

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