2017
Ce document est lié à :
https://hdl.handle.net/20.500.13089/45zg
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/isbn/979-10-365-0077-0
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/isbn/978-1-78374-348-3
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by/4.0/
Michael Bryson et al., « 8. Shakespeare: The Return of Fin’amor », Open Book Publishers
I. The Value of the Individual in the SonnetsThe true recovery of the troubadour tradition comes with Shakespeare, the poet and playwright who “towers like a mountain peak above the surrounding foothills, but is one substance and structure with them”. Most truly “of the English strain”, Shakespeare’s sonnets are a reversing, even a mocking of the Petrarchan mode and the Neoplatonic sublimation of passion into worship that sometimes marks the poetry of Sidney. Rather than treating the individual...