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2014
- 20.500.13089/63j7
Ce document est lié à :
https://hdl.handle.net/20.500.13089/5zau
Ce document est lié à :
https://doi.org/10.4000/books.pup
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info:eu-repo/semantics/altIdentifier/isbn/979-10-365-5060-7
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info:eu-repo/semantics/altIdentifier/isbn/978-2-85399-940-3
info:eu-repo/semantics/openAccess , https://www.openedition.org/12554
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Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Pierre Iselin, « An Introduction to the Audio CD. “Shakespeare in Music” », Presses universitaires de Provence
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Résumé
Historically, the paradox of music on Shakespeare’s stage lies in that it both inheres in the tradition of English theatre, and constitutes an act of utter transgression in those years of hot debate over abuses, when theatre, dance and music, not to speak of stage music, were the targets of puritan attack. In this polemical context, even the most ardent encomiasts of music would not defend music in the theatre:For I dare not speake of dauncing or theatrall spectacles, least I pull whole swarmes...
