Fiche du document
2019
- 20.500.13089/dswb
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2534-6695
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2270-0633
Ce document est lié à :
https://hdl.handle.net/20.500.13089/dt88
Ce document est lié à :
https://doi.org/10.4000/ces.540
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
Résumé
In Wole Soyinka’s plays, dance reveals an open conception of African identity, namely a fluid, perpetually evolving one which leaves room for metamorphosis and change. As the symbol of transition, dance is often invested with revolutionary potential, pointing the way to a new dawn, out of an existential and political status quo. Embodying resistance and dissidence, the dancing bodies in Soyinka’s plays contribute to the reconfiguration of individual and communal identity.
