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Rémi Labrusse, « Obscurities of Colour », Critique d’art
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Résumé
For those who enjoy venturing into history’s layers to experience both the obscurity released therefrom, and, on the contrary, the futility of dreams of updating a clear and distinct sense, there is no doubt that colour will be a favourite subject—colour, its representations and denominations, a vast field of language where there is an intersection of the most wavering of meanings, clichés and commonplaces produced by indefinable mixtures of experiences, desires and ideologies, which, from one...
