Trevor Harris (ed.), Art, Politics and Society in Britain (1880–1914): Aspects of Modernity and Modernism
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2011
- 20.500.13089/f0ec
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info:eu-repo/semantics/reference/issn/2271-6149
Ce document est lié à :
info:eu-repo/semantics/reference/issn/0220-5610
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https://hdl.handle.net/20.500.13089/f0k2
Ce document est lié à :
https://doi.org/10.4000/cve.2162
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
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Electoral politics Political behavior Politics Mass political behavior Practical politics Political thought Government Political theory Civil government Commonwealth, The Science, Political Administration Politics Modernism Papers, Collected (Anthologies) Collected papers (Anthologies) Modernity Modern civilization Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Politics and suffrage Government and politics Politics Political history ArtsCiter ce document
Neil Davie, « Trevor Harris (ed.), Art, Politics and Society in Britain (1880–1914): Aspects of Modernity and Modernism », Cahiers victoriens et édouardiens
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Résumé
Trevor Harris makes the point in his preface to this collection of essays on the interconnections between art, politics and society in late nineteenth and early twentieth-century Britain that the significance of “modernity” and “modernism” “can only be usefully explored if one admits and explores the contradictions, and even paradoxes that they generate” (viii). The eight essays in this collection, which grew out of a conference on the same theme held at the University of Tours in 2008, provide...
