Fiche du document
2022
- 20.500.13089/gb73
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2556-4161
Ce document est lié à :
https://hdl.handle.net/20.500.13089/gb7n
Ce document est lié à :
https://doi.org/10.4000/filmj.304
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc/4.0/
Mots-clés
Minnelli (Vincente) melodrama Some Came Running generic cross-fertilization musical mise-en-abyme modernist colour patterns Hollywood star systemSujets proches
Disputes, Boundary Frontier troubles Borders Frontiers (Boundaries) Geographic boundaries Boundary disputes Territorial boundaries Political boundariesCiter ce document
Raphaëlle Costa de Beauregard, « Vincente Minnelli’s Melodrama Some Came Running and the Crossing of Borders », Film journal
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Résumé
This paper argues that in his first melodrama on screen, Some Came Running (1958), the filmmaker Vincente Minnelli tried to establish clear differences with his earlier musicals, such as An American in Paris (1951) or Brigadoon (1954), by exploring the possibilities of narrative in his films. Film critics generally agree that in his melodramas, the crossing of generic borders between the musical and the melodrama is a key to his aesthetic achievement. A study of the plot and characters will show...
