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2018
- 20.500.13089/gued
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2276-3538
Ce document est lié à :
https://hdl.handle.net/20.500.13089/gudo
Ce document est lié à :
https://doi.org/10.4000/hybrid.283
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-sa/4.0/
Sujets proches
Support systems, Social Networking, Social Networks, Social Social networking Social support systems Competence Writing (Authorship) Networks, SocialCiter ce document
Anaïs Guilet, « Madeleines & tweets », Hybrid
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Résumé
Clara Beaudoux finds in the cellar of her new apartment the former tenant of the place’s possessions, Madeleine’s. For a week, on Twitter, she will conduct her inquiry with tenderness and modesty: a few words, images, the portrait of Madeleine as well as her time are emerging. Through its performance on the social networks and in a process close to narrative journalism, Madeleine’s archives are constituted: an “[...] archiving, as a laying bare,”1 which enables to interrogate memories, especially traces, which here appear to be poetic. The Madeleine Project then is resolutely Proustian, it proceeds from this reminiscence as nostalgic as contemporary which, within the framework of the project, develops first through social networks to lead to a book published in 2016. At the end, Beaudoux, just like Marcel, has become a writer.
