2018
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2276-3538
Ce document est lié à :
https://hdl.handle.net/20.500.13089/gudo
Ce document est lié à :
https://doi.org/10.4000/hybrid.283
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-sa/4.0/
Corentin Lahouste, « Depicting existentiality: the anarchic aesthetic of Désordre by Philippe De Jonckheere », Hybrid
Tell (almost everything about) life and report its utter shambles, this is what is mostly at stake in Désordre, hypermediatic work created, developed and fuelled by Philippe De Jonckheere since the early years 2000. Through this article, we shall highlight seven salient features of anarchic aesthetics of Désordre, as the main focus of De Jonckheere is to depict existentiality. We can see in his work how this specific aesthetics relies not solely on media mechanisms, but also on postural, poetic and symbolic features.