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2015
- 20.500.13089/guj1
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info:eu-repo/semantics/reference/issn/2276-3538
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https://hdl.handle.net/20.500.13089/guil
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https://doi.org/10.4000/hybrid.1220
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-sa/4.0/
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Caroline Renouard, « Compositing in The Lady and the Duke », Hybrid
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Résumé
The Lady and The Duke (2001) is an atypical movie by its duality in unity, mainly resulting from the digital incrustation of real actors in pictorial settings. Éric Rohmer, resorting to that obvious a visual technique and to that improbable effect, has paradoxically wished to produce an impression of truth in the audience. The Lady and the Duke is a movie on perspectives and distance putting: the one that can be found at the heart of the creation of directing and of composite image, that of the heroine, who cannot interact with her environment and that of the audience, taken aback by the ambiguity of cinematographic artifice, as real effects are present while there are no probable illusion. In having an audience watch a story in history, Rohmer invites them to observe between the layers of images and memories that compose this palimpsest-movie, that make appear in filigree the (dis)illusions of past and present.
