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2018
- 20.500.13089/h4ko
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2647-6754
Ce document est lié à :
info:eu-repo/semantics/reference/issn/1164-6225
Ce document est lié à :
https://hdl.handle.net/20.500.13089/h4l5
Ce document est lié à :
https://doi.org/10.4000/interfaces.596
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by/4.0/
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God--Revelation Donations Presents Papers, Collected (Anthologies) Collected papers (Anthologies) Dancing Dances Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries)Citer ce document
Sophie Aymes et al., « Introduction », Interfaces
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Résumé
“This revelation was a lancing of my spontaneous circular designs, both as a meditative trace and leaving a trace of permanence, of which the dance lives and dies in one act of execution.”(Carolyn Carlson 37)Following up on the previous volume on “Gestures and their Traces”, this new issue of Interfaces presents its second selection of essays published in the wake of the conference that was held at the Université de Bourgogne (Dijon, France) in June 2017 (“Gestures in Texts and the Visual Arts”)....
