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2018
- 20.500.13089/kout
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2271-6424
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https://hdl.handle.net/20.500.13089/koyy
Ce document est lié à :
https://doi.org/10.4000/shakespeare.4002
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
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Chantal Schütz, « Introduction », Actes des congrès de la Société française Shakespeare
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Résumé
Fear is present in one form or another in almost all of the dramatic works of Shakespeare and his contemporaries. From the ridiculous apprehension of cuckoldry to the horror felt by Macbeth faced by Banquo’s ghost, from the mechanicals’ worry that the “lion” might “fright the ladies” to the dread on which Richard III’s tyranny relies, every degree of fear is to be found in Shakespeare, Marlowe, or Webster. Be it in tragedies still attempting to instil sacred terror or in comedies making fun of...
