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2003
- 20.500.13089/kpy9
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info:eu-repo/semantics/reference/issn/1969-6302
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info:eu-repo/semantics/reference/issn/1272-3819
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https://hdl.handle.net/20.500.13089/kq8k
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https://doi.org/10.4000/sillagescritiques.1758
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
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Andrew Eastman, « The epic of voice: history and orality in The Cantos », Sillages critiques
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The Cantos is a work in which the invention of history and memory are inseparable from the invention of ways of saying, a work whose mode of organizing history is indissociable from its modes of organizing language. History in The Cantos, I would like to argue, is a function of the poem’s orality, of its rhythmic activity: a prosodic construction or continuum, whose ways of making sense are indissociable from its ways of sounding associations, by means of line, grouping, accent, consonance. As...
