2015
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info:eu-repo/semantics/reference/issn/1765-2766
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https://hdl.handle.net/20.500.13089/llmn
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https://doi.org/10.4000/transatlantica.7257
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
Claude Chastagner, « Contemporary “Ethnic” Popular Music: A Challenge to American Modernity? », Transatlantica
Recently, a colleague in the Department of Chinese studies approached me regarding a Ph. D. dissertation on contemporary Chinese rock he had to read. The dissertation defined American rock music as the results of various processes of métissage and hybridization. This surprised him for he had always considered American popular music as a homogenized whole, the reflection of a global, hegemonic Anglo-Saxon culture, and the product of a consolidated, far-reaching industry. His reaction confirms the...