Contemporary “Ethnic” Popular Music: A Challenge to American Modernity?

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Date

2015

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Type de document
Périmètre
Identifiant
  • 20.500.13089/lkvg
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Ce document est lié à :
info:eu-repo/semantics/reference/issn/1765-2766

Ce document est lié à :
https://hdl.handle.net/20.500.13089/llmn

Ce document est lié à :
https://doi.org/10.4000/transatlantica.7257

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OpenEdition

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info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/



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Claude Chastagner, « Contemporary “Ethnic” Popular Music: A Challenge to American Modernity? », Transatlantica


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Recently, a colleague in the Department of Chinese studies approached me regarding a Ph. D. dissertation on contemporary Chinese rock he had to read. The dissertation defined American rock music as the results of various processes of métissage and hybridization. This surprised him for he had always considered American popular music as a homogenized whole, the reflection of a global, hegemonic Anglo-Saxon culture, and the product of a consolidated, far-reaching industry. His reaction confirms the...

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