Corinne Thepaut-Cabasset

Discipline

Histoire (29) Sociologie (2) Archéologie et Préhistoire (2) Histoire, Philosophie et Sociologie des sciences (1) Art et histoire de l'art (1)

Type de document

Autres (35) Billets de blog (35)

Date

Source

Dressing the new world (35)

Mot-clé

musée (14) Textile fabrics (13) Clothing (11) Silk (10) Clothing and dress (9) Art (8) Europe (7) Europe (7) Mexique (7) Europe (7) textile (6) History (6) Seventeenth century (6) Fashion (6) Canvas (6) Business (6) art (5) histoire (5) ville (5) Art (5) Commerce (5) Art (5) Petroleum (5) Oils and fats (5) History (5) Eighteenth century (5) Commerce (5) America (5) 18th century (5) 17th century (5)

Documents écrit par Corinne Thepaut-Cabasset (35) | parle de Corinne Thepaut-Cabasset (16)

"F" is for (pineapple) Fibre. Teresa Nobre de Carvalho, Researcher, Center for the Humanities Universidade Nova de Lisboa (Portugal)

Corinne Thepaut-Cabasset (15 mars 2019)

“W” is for Wig. Vivi Lena Andersen, Ph.D., Museum Curator at the Museum of Copenhagen, Denmark

Corinne Thepaut-Cabasset (28 févr. 2019)

"M" is for Mantón de Manila: Spanish shawls of Asian origin and cross-cultural design influences. Laura Beltran-Rubio, MA Fashion Studies, Parsons School of Design, New York City (USA)

Corinne Thepaut-Cabasset (6 juil. 2018)

“I” is for Identity: Clothing and Identity at the Presidio de San Francisco in the New Spanish World. Candice Ward, MA Student, California State University

Corinne Thepaut-Cabasset (28 févr. 2018)

“T” is for Cumbi Tapestries: Peruvian Textiles in the Spanish Colonial Home. Julia McHugh, Douglass Foundation Fellow in American Art, The Metropolitan Museum of Art, New York

Corinne Thepaut-Cabasset (20 déc. 2017)

“F” for fans made of feathered-flowers, birds and insects. Exoticism and frivolity in the consumption of fashionable objects traded between the New World and the Old World. Maria Cristina Volpi, Associate Professor School of Fine Arts, University of Rio de Janeiro (Brazil)

Corinne Thepaut-Cabasset (21 nov. 2017)

"B" for Bordados: An Exhibition of Embroidered Textiles from Mexico. Rebecca Devaney, MFA Textile Art and Artefact, National College of Art and Design, Dublin. Student in Haute-Couture Embroidery, Ecole Lesage, Paris.

Corinne Thepaut-Cabasset (21 sept. 2017)

“P” for Pattern Book: Norwich Textiles exported to Central and South America in 1763.

Corinne Thepaut-Cabasset (13 août 2017)

“F” for Feathers: Symbols of European Rulers in the Renaissance. Les plumes : symboles des rois de la Renaissance. Chloé Nevicato, MA in History and Anthropology, University of Paris Panthéon-Sorbonne.

Corinne Thepaut-Cabasset (30 juil. 2017)

“F” for Feather: Pre Hispanic Feather Textiles from Peru, Lena Bjerregaard, Centre for Textile Research, SAXO Institute, University of Copenhagen (Denmark)

Corinne Thepaut-Cabasset (20 juil. 2017)

“F” for Spanish Fashion: Fashion in Las Meninas by Velázquez in 17th century Spain. Amalia Descalzo Lorenzo, Professor of Culture and Fashion at ISEM Fashion Business School, Universidad de Navarra, Madrid

Corinne Thepaut-Cabasset (23 juin 2017)

"T" for Trade: 18th century Handkerchiefs – The Swedish East India Company Trade. Viveka Hansen, Textile Historian, The IK Foundation, (UK)

Corinne Thepaut-Cabasset (21 mai 2017)

“N” for New Habits: New Goods from the New World. Nadia Fernández de Pinedo, Associate Professor at the Department of Economic Studies, Universidad Autonóma, Madrid

Corinne Thepaut-Cabasset (15 mai 2017)

“L” for Lace: The variation of Taxation Schemes for Lace Import in the Ancien Regime. Marguerite Coppens, Honorary Curator Musées royaux d’Art et d’Histoire, Brussels. Honorary Chair of the French Association of Textiles Studies (AFET), Paris

Corinne Thepaut-Cabasset (16 févr. 2017)

“S” for Shoes: A gendered shoe from 17th century-Copenhagen. Vivi Lena Andersen, Curator and Archaeologist at the Museum of Copenhagen, Denmark

Corinne Thepaut-Cabasset (22 janv. 2017)

"R" for Recycling Brocaded Silk, from Profane to Sacred. Bernard Berthod, Dr ès Lettres, Curator Musée de Fourvière (Lyon), Vice-Chair of ICOM-Costume Committee

Corinne Thepaut-Cabasset (16 janv. 2017)

“L” IS FOR LYON. THE MARKETING AMBITIONS OF EIGHTEENTH-CENTURY FRENCH MERCHANT MANUFACTURERS, OR WHERE DID ALL THE LYONNAIS SILKS GO? LESLEY MILLER, SENIOR CURATOR OF TEXTILES, VICTORIA AND ALBERT MUSEUM, LONDON/PROFESSOR OF DRESS AND TEXTILE HISTORY, UNIVERSITY OF GLASGOW

Corinne Thepaut-Cabasset (31 déc. 2016)

"T" for Traditional Mexican Woman Dress called: Huipil. Lena Bjerregaard, Conservator, Guest Researcher, Centre for Textile Research/SAXO Institute, University of Copenhagen

Corinne Thepaut-Cabasset (20 déc. 2016)

“M” for MANTA. Lena Bjerregaard, Conservator, Guest Researcher, Centre for Textile Research/SAXO Institute, University of Copenhagen

Corinne Thepaut-Cabasset (1 déc. 2016)

“Y” for Yellow Moiré silk Dress. Laura G. García-Vedrenne, M Phil student in Textile Conservation, Centre for Textile Conservation, University of Glasgow

Corinne Thepaut-Cabasset (21 nov. 2016)

“H” for Headdress: The Gandaya, a colourful silk knitted bonnet in Global-Spain. Victoria de Lorenzo, MA alumni at the Royal College of Art/Victoria and Albert Museum, London

Corinne Thepaut-Cabasset (4 nov. 2016)

"R" for Refashioning Fashion Plates in Early Modern Europe. Pascale Cugy & Corinne Thépaut-Cabasset

Corinne Thepaut-Cabasset (27 oct. 2016)

“N” for Night Gown: The Informal Gown of a Lady Wear. A customized fashion plate circa 1700: Dame de la Cour en « déshabillé négligé ». Pascale Cugy, Docteur in History of Art, University of Paris-Sorbonne

Corinne Thepaut-Cabasset (18 oct. 2016)

“E” for Embroidery: Mission Style in Alta California. Mariachiara Gasparini, Adjunct Lecturer, Art & Art History department, Santa Clara University, California

Corinne Thepaut-Cabasset (21 sept. 2016)

“W” for Wool: War and Worsteds / Words and Things. Exploring the market for woollen textiles in early-modern Spanish America. John Styles, Research Professor in History, University of Hertfordshire, UK

Corinne Thepaut-Cabasset (6 sept. 2016)

Les saisons de la mode au XVIIe siècle dans Le Mercure Galant

Corinne Thépaut-Cabasset (18 sept. 2023)

Habits d’hiver, habits d’été

Pascale Cugy (15 sept. 2023)

Saisons

Céline Mallet et al. (27 juil. 2023)

Dress and Diplomacy | Seminar

alexiafontaine (22 avr. 2017)

DRESSING THE NEW WORLD

vett (2 juil. 2016)

Madame de Pompadour et l'art de la toilette

Corinne Cabasset (2 mars 2016)

Joséphine et l'empire de la mode

Corinne Cabasset (2 mars 2016)

Journée d'étude : "Textiles and Diplomacy".

Maxime Georges Métraux (29 févr. 2016)

Variations européennes autour des gravures de modes parisiennes. Commerce, copies et adaptations d’images d’habits sous le règne du Roi-Soleil

Pascale Cugy (2016)

Un autre témoin de Galland en Orient : le sieur de La Croix

Corinne Thépaut-Cabasset (2015)

23. 05. 14. "Mode et images", séminaire "Histoire de la mode", IHTP-CNRS

Muriel Berthou Crestey (22 mai 2014)

8ème séance du séminaire sur la mode, "Mode et images", 23 mai 2014, 14h30-17h30

Sophie Kurkdjian (21 avr. 2014)

"Autour de Rose Bertin : Les marchands de mode à Paris", Mardi 17 décembre 2013, archives nationales, hôtel de Soubise, 60 rue des Francs Bourgeois, Paris

Sophie Kurkdjian (27 nov. 2013)

Corinne Thépaut-Cabasset (dir.), L’esprit des modes au grand siècle, Paris, éditions du CTHS, Format 66, 2010

Marie-Noële Denis (2013)

L’Esprit des modes au Grand Siècle, 2010, Corinne Thépaut-Cabasset

Audrey Millet (7 nov. 2012)

Corinne Thepaut-Cabasset

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Documents écrit par Corinne Thepaut-Cabasset (35) | parle de Corinne Thepaut-Cabasset (16)