Hyperventilation in anticipatory music performance anxiety

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2012

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Périmètre
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info:eu-repo/semantics/altIdentifier/doi/10.1097/PSY.0b013e31825e3578

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info:eu-repo/semantics/altIdentifier/pmid/22826290

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info:eu-repo/semantics/altIdentifier/eissn/1534-7796

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info:eu-repo/semantics/altIdentifier/urn/urn:nbn:ch:serval-BIB_1839F71692B84

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Regina Studer et al., « Hyperventilation in anticipatory music performance anxiety », Serveur académique Lausannois, ID : 10.1097/PSY.0b013e31825e3578


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Objectives and Methods: Self-report studies have shown an association between music performance anxiety (MPA) and hyperventilation complaints. However, hyperventilation was never assessed physiologically in MPA. This study investigated the self-reported affective experience, self-reported physiological symptoms, and cardiorespiratory variables including partial pressure of end-tidal CO(2) (Petco(2)), which is an indicator for hyperventilation, in 67 music students before a private and a public performance. The response coherence between these response domains was also investigated.ResultsFrom the private to the public session, the intensity of all self-report variables increased (all p values < .001). As predicted, the higher the musician's usual MPA level, the larger were these increases (p values < .10). With the exception of Petco(2), the main cardiorespiratory variables also increased from the private to the public session (p values < .05). These increases were not modulated by the usual MPA level (p values > .10). Petco(2) showed a unique response pattern reflected by an MPA-by-session interaction (p < .01): it increased from the private to the public session for musicians with low MPA levels and decreased for musicians with high MPA levels. Self-reported physiological symptoms were related to the self-reported affective experience (p values < .05) rather than to physiological measures (p values > .17).ConclusionsThese findings show for the first time how respiration is stimulated before a public performance in music students with different MPA levels. The hypothesis of a hyperventilation tendency in high-performance-anxious musicians is supported. The response coherence between physiological symptoms and physiological activation is weak.

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