Des ruines au musée. La destinée de la sculpture classique

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1993

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Annales

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MESR

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Salvatore Settis, « Des ruines au musée. La destinée de la sculpture classique », Annales, ID : 10.3406/ahess.1993.279220


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From Ruin to Museum. The Destiny of Classical Sculpture. For centuries, Greek and Roman sculptures found amongst the ruins of classical sites have been as they still are transferred to museums. From deserted ruins to glorious collections and museums this is normally understood as sudden leap from the darkness of dead civilization to the splendour of new one. This new interest in classical antiquities is one of the main components of the Re-naissance (or re-birth namely, of Classical antiquity). But closer scrutiny discovers significant nuances and intermediary stages. The re-use of classical sculptures in religious buildings in the Middle Ages often deliberate was the background for the rise of interest on the part of artists in ancient sculpture as model for their works. Artists inspired the first collectors of antiquites and public museums gradually evolved from private collections The article explores the phases of this process from re-use to collections through to museums as well as its relations to the growth of Art History as literary genre and as discipline.

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