Situation de la sculpture en France en 1778

Fiche du document

Date

1979

Type de document
Périmètre
Langue
Identifiant
Collection

Persée

Organisation

MESR

Licence

Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



Citer ce document

François Souchal, « Situation de la sculpture en France en 1778 », Dix-Huitième Siècle, ID : 10.3406/dhs.1979.1224


Métriques


Partage / Export

Résumé En

François Souchal : Sculpture in 1778. A few months before Voltaire's and Rousseau's deaths, the Superintendent of the King's Buildings, the count of Angivilleir, launched a programme of sculptures representing the great men who had honoured France by their genius ; those chosen were men of letters rather than soldiers. The greatest artists of the time took part (Pajou, Houdon, Olodion, Mouchy, Julien, etc.). The results were of unequal quality, and today these big official statues are at the Institute, the Louvre and Versailles. Thiey show a concern for historical veracity, little sympathy for the new neoclassical fashion of the heroic nude and, even before the Revolution, a desire to exalt civic virtues.

document thumbnail

Par les mêmes auteurs

Sur les mêmes sujets

Sur les mêmes disciplines

Exporter en