Heurs et malheurs du Coeur, des chansons de geste au Planh de Sordel

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2018

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Persée

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.




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Luminiţa Diaconu, « Heurs et malheurs du Coeur, des chansons de geste au Planh de Sordel », Hiperboreea Journal. Journal of History, ID : 10.3406/hiper.2018.946


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This analysis focuses on exploring the images of the heart in the epic genre, including a singular case of imaginary heart-eating (cardiophagia) that is highlighted in le planh written by the troubadour Sordel. This wild behavior associated with otherness, above all with the cannibals of the Far East, stands out from the medieval literary corpus focused on the punishment of an illicit love. It also reveals, like other images of the heart present in the chansons de geste, a very subde play between the concrete appearance of an organ and its metaphorical significations. In other words, this game enables a symbolic quantification of such abstract notions as courage, bravery, physical strength or, on the contrary, cowardice.

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