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1997
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Christian Marcadet, « La chanson : un rapport social pertinent : le cycle exemplaire du rébétiko », L'Homme et la société, ID : 10.3406/homso.1997.2915
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Christian Marcadet, The Exemplary Cycle of Rébétiko Within the underclass of continental Greece, the first exponents of rébétiko gained prominence by borrowing from village traditions and Turkish musics to which they gave a new form and a new sensibility. This musical genre was integrated into the commercial music industry in the 1930s. Removed from its original milieu and emptied of its more marginal tendencies, rébétiko began to be considered a folk music in the 1970s. This is an evolution which poses the question of the dialectic existing between popular creativity and market influences in the production of popular music.