Du « Raver » au « Sampler » : vers une sociologie de la techno

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1997

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MESR

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Joseph Ghosn, « Du « Raver » au « Sampler » : vers une sociologie de la techno », L'Homme et la société, ID : 10.3406/homso.1997.2917


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Joseph Ghosn, From Sampler to Raver : Towards a Sociology of Techno A sociology of techno must show how this music is produced thanks to computer techniques affecting musical composition and the different phases of record production in particular ways, thus redefining existing modalities. Techno has developed within musical production, but its musicians have remained anonymous, something which poses the question of the social identification of these artist-technicians.

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