Plagued for Their Offence: AIDS & Theatrical Representation

Fiche du document

Auteur
Date

2006

Type de document
Périmètre
Langue
Identifiant
Collection

Persée

Organisation

MESR

Licence

Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



Citer ce document

Dirk Visser, « Plagued for Their Offence: AIDS & Theatrical Representation », Interfaces. Image-Texte-Langage (documents), ID : 10.3406/inter.2006.1320


Métriques


Partage / Export

Résumé En

The topic of this article is representation of AIDS in a number of British and American plays from the 1980s, the early days of the epidemic. After discussing two excerpts from the British tabloid press, establishing that reporting on the disease is not phrased in medical but in moral terms, the article continues to analyze various theatrical responses to the moral discourse surrounding AIDS, ranging from the careful didactic maneuvers of the «Gay Sweatshop» theatre company to the shock tactics employed by playwright Robert Chesley. Taking as its starting point two symbols which were of major importance in shaping the discourse of gay liberation and AIDS-the pink triangle and the KS lesion-the article concludes with an analysis of a recently revived early AlDS-play : Larry Kramer’s The Normal Heart (1985).

document thumbnail

Par les mêmes auteurs

Sur les mêmes sujets

Exporter en