Entre les deux mon cœur balance ou L'imparfait entre aspect et anaphore

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2003

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Persée

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MESR

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Georges Kleiber, « Entre les deux mon cœur balance ou L'imparfait entre aspect et anaphore », Langue française, ID : 10.3406/lfr.2003.6478


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Georges Kleiber : The French Imparfait: aspect or anaphora? In this article, we will only tackle the anaphoric dimension of imperfect without trying to defend the part-whole option supported with Anne-Marie Berthonneau in 1993. First we will confront the imperfectivist approach to the temporal anaphoric approach to attempt at determining which one may prevail against the other. Then we will endeavour to show that, whatever the importance we may still attach to imperfectivity as well, imperfect is intrinsically an anaphoric marker, but an anaphoric that is not solely temporal.

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