La rhétorique de la tension chez Léonardo Crémonini. Figure de l'attente et figure de l'aguet dans l'énoncé visuel
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2000
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Attente (philosophie) Attente (psychologie) ExpectationCiter ce document
Françoise Parouty-David, « La rhétorique de la tension chez Léonardo Crémonini. Figure de l'attente et figure de l'aguet dans l'énoncé visuel », Langages, ID : 10.3406/lgge.2000.1786
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In the philosophy of the french art movement called Nouvelle figuration, Cremonini starts from familiar, apparently harmless scenes and introduces into his pictures a number of tensive signs on each plane : figurative, expressive and enunciative. He builds a baroque space in the Wölfflin sense where wait and watch figures predominate in a narrative yet suspended program. Wait here is linked to promise and mainly to threat. A motif of wait, the watch figure is specific of volitive modalities of seeing and showing through various manipulations of things : mirrors, windows, glasses... The corpus generates a strong pathemisation and comes under a rhetoric strategy, a very tensive one with its predominantly persuasive dimension resulting from the coherent recurrences from one painting to another.