La résistance des « faibles » à travers un acte artistique (sur l’exemple du récit d’Alexandre Soljenitsyne La Confiture d’abricot)

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2018

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Persée

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Victoria Zayanchkauskayte, « La résistance des « faibles » à travers un acte artistique (sur l’exemple du récit d’Alexandre Soljenitsyne La Confiture d’abricot) », La Revue russe, ID : 10.3406/russe.2018.2867


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At the moment of historical cataclysms , like Russia ’ s 1917 Revolution , the conversion of power from the dominating to the dominated can be produced . The official discourse becomes a tool of indocrination et shifts in social values . In these conditions , the writer who is against this discourse makes his own act of resistance by giving a voice to the marginal figures in his stories , in other words to the “ weak ”. The article is devoted to observing the process of maginalization executed by the newly dominating social group et to analyzes with the example ofAlexander Solzhenitsyn ’ s story The Apricot Jam , the artistic means which can be qualified as form of resistance . This study attempts to draw conclusions about the implicit stake of this artistic work.

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