La scène de fraternisation d’Ilerda (César, B.C. I, 74) : dramatisation narrative et démonstration politique
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2020
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Stage Dramatics Histrionics Theatre Professional theater Electoral politics Political behavior Politics Mass political behavior Practical politics Political thought Government Political theory Civil government Commonwealth, The Science, Political Administration Politics Social views Representaciones teatrales Teatro--Representaciones Politique, Pratiques de la Comportement politique Moeurs politiques Politique Pratiques de la politique Politique, Science Statologie Politologie Sciences politiques Politique Art théâtral Théâtre (arts du spectacle) Art du théâtre Scène Pensée sociale Et le pouvoir Et la politique Politique scénographieCiter ce document
François Ripoll, « La scène de fraternisation d’Ilerda (César, B.C. I, 74) : dramatisation narrative et démonstration politique », Vita Latina (documents), ID : 10.3406/vita.2020.2030
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The narrative of the fraternizing between Caesarians and Pompeians at Ilerda illustrates Caesar’s skilfulness in the depiction of collective reactions and mass psychology. But this episode has also a political meaning and a demonstrative purpose, on two levels. Firstly, it presents the preliminary sketch of a forthcoming national reconciliation after the civil war. Secondly, it proposes in a subliminal way the programmatic draft of a would-be «autocratic democracy » .