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14 juin 2024
- doi: 10.4000/11tso
- eisbn: 978-2-84016-548-4
info:eu-repo/semantics/openAccess , https://www.openedition.org/12554
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Feature films--History and criticism Movies Films Moving-pictures Cinema Stage Drama, Modern Plays Drama--PhilosophyCiter ce document
Marie-Laure Cazin, « The Invisible Side of Emotive Cinema », Presses universitaires de Paris Nanterre, ID : 10.4000/11tso
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“You become aware of factors that are usually mostly invisible” - Raphaël, a viewer using the Emotive Cinema prototype, February 2014 -For Jean-Louis Boissier, following the example of Jean-Jacques Rousseau, the artwork is a relationship with the world. For Edgar Morin, it is a relationship with the imagination that develops through filmic experience. Christian Metz’s psychoanalytic approach presents the cinematographic experience as a way of reenacting the mirror stage, which plays a centra...