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14 décembre 2022
- doi: 10.4000/books.aaccademia.12110
- isbn: 9791255000174
- eisbn: 9791255000198
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
rievocazione storica storia della danza e dell'arte performance teatrale rievocazione come strategia di appropriazione reconstitution histoire de la danse et de l'art représentation théâtrale la reconstitution comme stratégie d'appropriation reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation PER011000 Theater ANSujets proches
Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) ArtsCiter ce document
Cecilia Alemani et al., « The Archives of La Biennale di Venezia as the Seventh Muse: Revisiting (Art) History », Accademia University Press, ID : 10.4000/books.aaccademia.12110
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Résumé
Cristina Baldacci (Università Ca’ Foscari Venezia) invites Cecilia Alemani (Director and Chief Curator of High Line Art, New York, and Artistic Director of the 59th International Art Exhibition, La Biennale di Venezia) to converse about The Disquieted Muses: When La Biennale di Venezia Meets History. This collectively curated exhibition was organized in Autumn 2020 (29 August–08 December) to celebrate the 125th anniversary of the foundation of the Venice Biennale (1895). As a major event base...