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16 janvier 2023
- doi: 10.4000/books.aaccademia.12335
- isbn: 9791255000075
- eisbn: 9791255000099
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
animalità nella storia degli studi teatrali storia del teatro umana e non-umana performance interspecie Critical Animal Studies etnoscenologia zooantropologia zoosemiotica filosofia all’etologia animalité dans l'histoire des études théâtrales histoire du théâtre humain et non humain performance interspécifique Critical Animal Studies ethnoscénologie zooanthropologie zoosémiotique philosophie de l'éthologie animality in the history of theatrical studies human and non-human theater history interspecies performance Critical Animal Studies ethnoscenology zooanthropology zoosemiotics philosophy of ethology PER011000 Theater ANSujets proches
Stage Dramatics Histrionics Theatre Professional theater CompetenceCiter ce document
Jean-Marie Pradier, « Animal, anthropologist and teacher », Accademia University Press, ID : 10.4000/books.aaccademia.12335
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Résumé
1. A real horse At the age of fifteen, a student in Naples for a year at the prestigious Nunziatella Military High School, where after the death of his father he had been enrolled, Eugenio Barba experienced his first initiatory encounter with the theater. His mother invited him to see Cyrano de Bergerac, the play by Edmond Rostand in which Gino Cervi (1901-1974) triumphed. With his tall stature and imposing voice, expert, agile and fluid in his acting, the famous actor was already internation...