14 décembre 2021
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Sabina Rahman, « 3) Fifty shades of Lincoln Green: the intersection of medievalism and fetish culture in Robin Hood on screen », Publications de l’École française de Rome, ID : 10.4000/books.efr.28595
In Medievalism, David Matthew uses The Knight errant by Sir John Everett Millais to epitomise the differences and the connection between the grotesque and romantic Middle Ages as depicted in post-medieval texts, which work under the assumption that anything medieval involves the grotesque threat of violence and warped sexuality while also assuming that the threat of sexual violence is in itself somehow medieval. The image also depicts the Romantic Middle Ages which, Matthews notes, “concedes ...