23 avril 2015
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Rachel Stella, « When Kitsch Becomes Form », ENS Éditions, ID : 10.4000/books.enseditions.3812
This paper treats the textual elements in Robert Morris’ multi-media installation, Preludes (for A.B.) . Analyzing how text is deployed both as something to look at and something to read contributes to an understanding why this installation is a pivotal piece in the artist’s oeuvre. Preludes (for A.B.) is first seen in the spring of 1980 at the Sonnabend Gallery in New York City, in a group exhibition called 3 installations: Vito Acconci Robert Morris, Dennis Oppenheim The work contains eight...