Fiche du document
23 mars 2022
- doi: 10.4000/books.enseditions.38158
- isbn: 9782847882179
- eisbn: 9791036204821
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
esthétique musique sémiotique chanson française LIT006000 Language & Linguistics (General) DSASujets proches
Language (New words, slang, etc.) Haptics Feeling Haptic sense Tactual perception Tactile perception Lieder Solo songs Arias Art songs Ariettas Songs with various acc Solo vocal music, Secular Carries Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Linguistic science Science of language Horse Equus caballus Farriery Hippology Pattern Model Commencement Primary sources Forerunners Primary sourcesCiter ce document
Jean-Nicolas De Surmont, « Chanson populaire et sa « populaire » épithète », ENS Éditions, ID : 10.4000/books.enseditions.38158
Métriques
Partage / Export
Résumé
So riddled with complexities has this question proved to be that one is tempted to follow the example of the legendary of folk song – ’all songs are folk songs ; I never heard horses sing « em » – and suggest that all music is popular music : popular with someone. Unfortunately, this would be empty the term of most of the meanings which it carries in actual discourse. However, it does have the merit of beginning to touch upon the multiple sources of these meanings : what I think « popular » y...