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5 décembre 2017
- doi: 10.4000/books.inha.7194
- eisbn: 9782917902691
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
architecture arts décoratifs peinture théâtre patrimoine historicisme égyptomanie architecture decorative arts painting theater heritage historicism egyptomania Arts & Humanities ART015000 ACSujets proches
Revival of letters Renaissance--Europe Renaissance--History Arts, Occidental Arts, Western Fine arts Arts, Fine Western architecture (Western countries) Building design Construction Buildings--Design and construction Architecture, Western (Western countries)Citer ce document
Nadia Radwan, « Between Diana and Isis: Egypt’s “Renaissance” and the Neo-Pharaonic Style (1920s‒1930s) », Publications de l’Institut national d’histoire de l’art, ID : 10.4000/books.inha.7194
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Résumé
The rise of modern art at the turn of the twentieth-century in Egypt reveals the complex dynamic of multiple cross-cultural interactions in tandem with the formulation of the nahda renaissance project. In this paper, it will be argued that the neo-pharaonic production of a generation of Egyptian artists referred to as the “pioneers,” illustrates the result of an intricate synthesis of reinventing historical past while claiming a universal culture through the continuous interplay between moder...