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6 juin 2019
- doi: 10.4000/books.inha.8260
- eisbn: 9782917902707
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
classicisme réalisme caricature satire atelier politique diffusion mondialisation gastronomie réception caricature diffusion gastronomy globalization politics reception satire Arts & Humanities ART015000 ACSujets proches
Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Beaux-arts Arts plastiques Oeuvres d'art Arts visuelsCiter ce document
Patricia Mainardi, « Studio Practice, Art, and Caricature », Publications de l’Institut national d’histoire de l’art, ID : 10.4000/books.inha.8260
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Résumé
In the nineteenth century, caricatures of works of art became familiar to the art-loving public and were especially ubiquitous around the time of Salon exhibitions. Charles Léger’s pioneering Courbet selon les caricatures et les images, published in 1920, was the first study of such images. He proposed the topic as an important area of investigation because these caricatures, ridiculing both subject and style, show us how works of art appeared to contemporaries, and often are more revelatory ...