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29 juillet 2019
- doi: 10.4000/books.psorbonne.29322
- isbn: 9782859448851
- eisbn: 9791035101473
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
Père de l'Église paléochristianisme: mémoire History Medieval & Renaissance Studies HIS037010 HBLCSujets proches
Frontier troubles Portraits, etc Portraits, caricatures, etc Portraits, etc Portraits, caricatures, etc Description and travel--Views Pictures Iconography Revival of letters Renaissance--Europe Renaissance--History Portraiture Pictorial representations Iconography Iconography Statuettes Religious images Images and idols Annals Donations Presents Construction Architectural engineering Construction Buildings--Design and construction Engineering, Architectural Beard Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Western architecture (Western countries) Building design Construction Buildings--Design and construction Architecture, Western (Western countries) Relations--Foreign countries Relations (Canon law)Citer ce document
Annalisa Albuzzi, « La barba di ambrogio », Publications de la Sorbonne, ID : 10.4000/books.psorbonne.29322
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Résumé
First, the author presents theoretical and methodological presuppositions: it is necessary, especially for the iconography of the post-Tridentin period, to explain sample details and encoded representations. Thus, after having studied the cultural, pastoral and ecclesiological context, the author focuses on a detail: the presence or the absence of the beard in Ambrose’s portraits realised from the episcopate of Carlo Borromeo till that of his cousin Federico. This detail is very interesting to interpret the standards, the discipline and the relations between spiritual and temporal power, as well as the construction of models of holiness.