20 décembre 2012
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Warwick Gould, « An empty theatre? », Presses universitaires de Caen, ID : 10.4000/books.puc.381
Yeats's individual volumes are always a part of a "moving image" of himself: the self they present, or as I would prefer to put it, the hero they create, is always a reappraisal. We might expect, and frequently do find, in the later updatings of each volume, new versions of a self he had always to think of as in some way a "permanent self, a great deal of rewriting and rearrangement. "Whatever changes I have made" said Yeats in a note to Early Poems and Stories (1925), "are but an attempt to ...