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1 juin 2017
- doi: 10.4000/books.pufr.3811
- eisbn: 9782869064546
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
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fiction réel sociologue romancier sculpteur photographe poète Art Cultural studies ART000000 ASujets proches
Legends and stories Novels Stories Cultural studies Cultural studies Hours (Time) Operas--History and criticism Opera, Comic Opera--History and criticism Comic opera Lyric drama Novels Novellas (Short novels) Fiction--Philosophy Metafiction Stories Understanding Pillars Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) ArtsCiter ce document
Gérard Cordesse, « Binarité, linéarité, multiplicité dans "Calliope Music", The Floating Opera », Presses universitaires François-Rabelais, ID : 10.4000/books.pufr.3811
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My prose is a plodding, graceless thing, and I've no comprehension of stylistic tricks. Nevertheless I must begin this chapter in two voices, because it requires two separate introductions delivered simultaneously. It's not so difficult, is it, to read two columns at the same time? I'll commence by saying the same thing with both voices, so, until you've got the knack, and then separate them ever so gradually until you're used to keeping two distinct narrative voices in your head at the same ...